You can’t escape the desert. You can’t escape Sundial.
Rob fears for her daughters. For Callie, who collects tiny bones and whispers to imaginary friends. For Annie, because of what Callie might do to her. Rob sees a darkness in Callie that reminds her of the family she left behind. She decides to take Callie back to Sundial, her childhood home deep in the Mojave Desert. And there she will have to make a terrible choice.
Callie is afraid of her mother. Rob has begun to look at her strangely. To tell her secrets about her past that both disturb and excite her. And Callie is beginning to wonder if only one of them will leave Sundial alive…
Catriona Ward’s last book, The Last House on Needless Street, was one of the highlights of my reading year last year, so I was delighted to be invited to preview her new book, Sundial. I am very grateful to the publisher, Viper Books, for providing me with an advance proof of the book for the purpose of review. I have reviewed the book honestly and impartially.
Anyone who read The Last House on Needless Street will be wondering what is to come next from this author. That book was so brilliantly unexpected and out of leftfield that it seems impossible she could come up with anything to match it. It was out on its own, so distinctive that she could not possibly replicate the things that made it so standout, a book that was talked about by everyone last year. And she hasn’t replicated the genius of The Last House on Needless Street. What she has done is write something totally different but equally, if not more, compelling in its own distinctive way.
This is the story of two people, Rob and her daughter, Callie. Rob is struggling in a tempestuous relationship with her husband, Irving, and is concerned about the impact this is having on her two daughters. In particular, the elder of the two, Callie, has begun to exhibit behaviours that Rob finds deeply concerning, particularly as they pertain to the safety of her other child. She decides to take Callie back to her family home in the Mojave desert to try and deal with Callie’s behaviour. In a series of flashbacks to Rob’s own childhood, we discover it was far from normal and begin to wonder if DNA may be at play here.
This book was addictive from beginning to end. An extremely dark, oppressive, creeping psychological horror story with a pair of completely unreliable narrators and underlying themes that will burrow into your brain and take root to the point that you will not be able to extricate yourself from this story until you have finished. The very pinnacle of unputdownable reading, this story held me in thrall from beginning to end.
The story is twisted in every definition of the word. What goes on in both the present day and the historical back story is disturbing to say the least, and will raise some interesting scientific and moral questions in the reader. The plot itself is so serpentine and cleverly constructed that I defy anyone to work out where it is is going until the very end, and there are myriads of shocks along the way. The setting of the book is oppressive in the extreme, and brought brilliantly to life on the page and is absolutely essential to the plot. I has such clear imagery in my mind throughout the novel that it was almost like being in a movie of the book. A terrifying movie it was much of the time too; if it was playing out on the screen I would be hiding behind a cushion. This author has a brutal, ingenious mind, I have no idea which dark part of her psyche dreamt up this plot, but it must be scary and thrilling to live with.
This book is not an easy read. It is not the type of book you pick up to lift you on a dark day or doze off under in bright sunshine on a poolside lounger. It is a book that will challenge you, excite you and grasp onto you with a ferocious hold until you reach the end. You won’t be able to leave it behind, even when you aren’t holding it in your hand, and it will be one you remember long after you have read it. Much as I loved The Last House on Needless Street, I think I may love Sundial more. What this says about me as a person, I don’t know, but this is not a book that fades in with all the others on the bookshop shelf. Another book that will be a big talking point amongst book lovers this year.
Sundial is out on 10 March and you can pre-order in hardback, ebook and audio formats here.
About the Author
CATRIONA WARD was born in Washington, DC and grew up in the United States, Kenya, Madagascar, Yemen, and Morocco. She read English at St Edmund Hall, Oxford and is a graduate of the Creative Writing MA at the University of East Anglia.
‘The Last House on Needless Street’ (Viper Books, Tor Nightfire) was a Times Book of the Month, Observer Book of the Month, March Editor’s Pick on Open Book, a Between the Covers BBC2 book club selection, a Times bestseller, and is being developed for film by Andy Serkis’s production company, The Imaginarium.
‘Little Eve’ (Weidenfeld & Nicolson, 2018) won the 2019 Shirley Jackson Award and the August Derleth Prize for Best Horror Novel at the 2019 British Fantasy Awards, making her the only woman to have won the prize twice, and was a Guardian best book of 2018. Her debut Rawblood (W&N, 2015) won Best Horror Novel at the 2016 British Fantasy Awards, was shortlisted for the Author’s Club Best First Novel Award and a WHSmith Fresh Talent title. Her short stories have appeared in numerous anthologies. She lives in London and Devon.
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Facebook: Catriona Ward