Irrevocably tied to the Carolinas, these stories tell tales of the woebegone, their obsessions with decay, and the haunting ache of the region itself—the land of the dwindling pines, the isolation inherent in the mountains and foothills, and the loneliness of boomtowns. Predominantly working-class women challenge the status quo by rejecting any lingering expectations or romantic notions of Southern femininity. Small businesses are failing. Factories are closing. Money is tight. The threat of violence lingers for women and girls. Through their collective grief, heartache, and unsettling circumstances, many of these characters become feral and hell-bent on survival. Gilstrap’s prose teems with wildness and lyricism, showing the Southern gothic tradition of storytelling is alive and feverishly unwell in the twenty-first century.
I was provided with a digital copy of this book for the purposes of review by Lori Hettler of TNBBC Publicity, who has my grateful thanks. I have reviewed the book honestly and impartially.
A collection of short stories, some a mere page, some a little longer, all tied together by their setting in the Carolinas and all exploring the intricacies of life and womanhood. I was stunned by the depth and breadth of experience that the author has managed to weave into even the briefest of tales in this extraordinary collection.
I didn’t really know what to expect from this book, and I have never read anything quite like it before. On the surface, some might argue that these tales are about nothing in particular. They aren’t identifiable crime stories, or romances, or horrors, but a collection of related and yet unrelated tableaux of ordinary yet extraordinary lives. Tinged with anger, passion, despair, melancholy, love, fear, joy and tragedy, they span the range of human emotion that can infuse even the simplest of everyday endeavours. The writer makes every life a miracle and quest for meaning, illustrated by even the smallest and most innocuous of happenings. Nobody in this world is nobody.
This is a great book to dip in and out of when you only have a few minutes to spare, or is equally a book that could transport you away for hours as you lose track of time. Each story is engrossing and moving, provoking a range of emotions in the reader that can take time to be fully realised. These are stories that you carry with you long after you have finished them and, I am sure, will be even richer on a second reading. Something out of the mainstream to relish.
You can buy a copy of Deadheading and Other Stories here.
About the Author
Beth Gilstrap is the author of Deadheading & Other Stories, Winner of the 2019 Red Hen Press Women’s Prose Prize due out October 5, 2021 and available for preorder now. She is also the author of I Am Barbarella: Stories (2015) from Twelve Winters Press and No Man’s Wild Laura (2016) from Hyacinth Girl Press. Born and raised in the Charlotte area, she recently relocated to Louisville where she lives and writes in an ornery old shotgun house. She also lives with C-PTSD and is quite vocal about ending the stigma surrounding mental illness. Bruce and Bonnie (pictured) are terrible editorial assistants.
Connect with Beth:
Facebook: Beth Gilstrap