Today’s guest on Romancing The Romance Authors is a debut author whose publication journey I have been following closely so I’m very interested to see her take on writing romance. Pleased to welcome to my blog for the first (but surely not the last) time… Nancy Peach.
Tell me a bit about the type of books you write and where you are in your publishing journey.
I’m just beginning my publishing journey so haven’t really fixed on a type yet, but my debut Love Life is published with One More Chapter and probably sits in the rom-com category. Love Life has a Pride and Prejudice style plot, but it’s also set in a hospice, which I think gives it a different perspective. I suppose that if I have a style of writing it is to tackle hard topics with a light touch. I am a big fan of finding humour in dark places and was longlisted for the Comedy Women in Print prize last year for my novel Sandwich which deals with dementia.
Because love and romance are at the heart of all universal stories – in a way I think it’s impossible to write books and not write about romance. All the greatest authors have known that the most direct route to a reader’s mind is via the heart and many of the fictional characters we hold dear are the ones who have been affected by a doomed romance or a grand passion. Every genre, whether it be crime, historical or dystopian science fiction, has romantic themes running through it and without a hint of a love interest a story loses depth and fails to engage a reader.
All of the above, plus I like writing sex scenes.
What inspires your stories?
Daily life – I enjoy finding inspiration hidden in the mundane, whether that be at home or at work. Being a doctor means that I am fortunate enough to witness many elements of human behaviour and interaction. It is a great privilege to have this level of access to people’s lives and relationships and it’s one of the things I enjoy most about my job. I am obviously very careful never to break confidentiality and none of my patients’ details will ever make it directly to the page, but a lot of what forms the basis of my books comes from making general observations about the human stories I see unfolding in front of me every day.
Who are your favourite romance authors, past and/or present?
Generally, those who introduce an element of humour in their writing. Whether it be sharply satirical like Jane Austen or gently comical like Beth O’Leary, or full-blown hilarious like Helen Fielding, Marian Keyes, Mhairi McFarlane and Lucy Vine.
Having said that, some of the most deeply affecting love stories I’ve read recently have not fallen into the comedy category – Delia Owens’ ‘Where the Crawdads Sing’ and Anthony Doerr’s ‘All the Light We Cannot See’ had me in absolute bits.
If you had to pick one romance novel for me to read, which one would you recommend?
That is such a hard question to answer (frantically tries to narrow down enormous shortlist). I think you’d be hard-pressed to find a more perfect package than Beth O’Leary’s The Flatshare as an example of a modern contemporary romance, but the gold standard for me will always be Pride and Prejudice. I can’t possibly say anything about this book that hasn’t already been said, but each line is a masterclass in wryly observed understatement, like a permanently raised eyebrow. Jane Austen is a genius.
The pride of high-ranking Mr Darcy and the prejudice of middle-class Elizabeth Bennet conduct an absorbing dance through the rigid social hierarchies of early-nineteenth-century England, with the passion of the two unlikely lovers growing as their union seems ever more improbable.
Which romantic hero or heroine would you choose to spend your perfect romantic weekend with? Where would you go and what would you do?
I would jump into bed with Mr Fitzwilliam Darcy and likely never be seen again.
(PSA: Anyone who ever chooses Mr Darcy as the answer to this question will invoke the gratuitous photo of Colin Firth in a wet shirt. you have been warned.)
What is your favourite thing about being a member of the RNA? What do you think you have gained from membership?
The RNA was my first introduction to fellow writers. Before joining I had no idea about the publishing industry, no knowledge of writing technique and no concept of how to turn my idle scribblings into a real piece of work. I stumbled across the New Writer’s Scheme in 2019 when I had completed a very rough draft of what was to become Love Life and couldn’t believe that there was a way of having my manuscript critiqued by people working in the industry and for it to be included in my membership fee. More specifically, the RNA was an invaluable source of advice during that first year when I was hopelessly naïve about publishing deals. If I hadn’t had their support at that critical point in my writing journey, I think I would be in a very different place now.
What one piece of advice or tip would you give to new writers starting out in the romance genre?
Keep writing and make sure you are always doing it for fun. It’s easy to get bogged down with whether you’re going to get an agent, whether you’ll be published, and whether you’ll be able to give up the day job and pursue a career as a writer. This makes the whole thing feel terribly pressurised and the reality may be that an ultimate dream of being a professional writer is either unattainable or takes an extraordinarily long time to realise. So, whilst you are waiting for international fame and glory, my advice is to treat writing like a brilliant, gloriously fulfilling hobby. By saying this I am in no way intending to diminish the experience or the process, but I see writing as a release valve, its primary function is to do me good and to make me happy. If what I produce makes other people happy too then great, but I try not to lose sight of why I write – I do it because it love it, anything else is a bonus.
Tell us about your most recent novel.
Love Life is a romantic comedy featuring a hospice doctor, Tess, who is having difficulty recovering from the shock of finding her boyfriend in bed with another man. Whilst at work she encounters Edward, a man who is in denial about his mother’s terminal illness and who, as a result, hates the hospice and all it stands for. Unsurprisingly Tess and Edward dislike each other in the beginning, despite having met before in entirely different circumstances, but as Edward’s mother becomes more unwell, they begin to discover common ground. The story also features a daytime television host battling it out with a Jane Austen character as dual narrators, an absent father, an over-protective mother, a problem with binge-eating, a blind date with an estate agent, a veterinary emergency, a brush with the General Medical Council and a fair bit of shagging. You can buy a copy of the book here.
It is a truth universally acknowledged that a Yorkshire lass in possession of a career, a house, and a cat, must be in want of a husb—
Oh get a grip!
Dr Tess Carter is no starry-eyed Jane Austen heroine. After all, if your dad left without a backward glance and you found your last boyfriend in bed with another guy, you wouldn’t believe in romance either. And the voices in Tess’s head – you know, the ones that tell you you’re not good enough, not pretty enough, not clever enough – well, these voices are very loud. Very loud indeed. Especially when the proud and disagreeable son of one of her patients starts challenging her every decision.
Edward Russell might have a big job and a posh voice, but Tess is determined not to let him get to her, especially if she can get her inner monologue to stop with the endless self-sabotage. And Edward, it turns out, may be less of a prat than he first appears; he’s certainly handy in a crisis.
In the real world, where gentlemanlike manners and out-of-the-blue declarations of love are a story-book fantasy, it’s up to Tess to decide whose voice to listen to … and how to make her own heard.
About the Author
Nancy is a writer of commercial women’s fiction, a mother of three and an owner of various ridiculous looking pets including a dog who unexpectedly grew to be the size of a small horse. She is also a practicing doctor working for both the NHS and a national cancer charity. Over the years her medical job has provided her with an insight into many aspects of human behaviour, across all walks of life, and she is endlessly fascinated by the people she meets. She has always loved to write and finds the process incredibly therapeutic as well as being a welcome diversion from some of the less glamourous aspects of her other roles. Being a medical doctor, her sense of humour is already quite dark; she prides herself on being able to find comedy in challenging scenarios and has found this to be an essential skill in both her domestic and working life. Love and laughter are the best of medicines and she tries to channel as much of them as possible into her blogs www.mumhasdementia.com and www.nancy-peach.com as well as her books – casting a wry and discerning eye over the human condition and tackling heavyweight issues with a light comedic touch.
Nancy’s work has been longlisted for the Comedy Women in Print Prize and shortlisted for a Harper Collins / Gransnet competition. She is a member of the Romantic Novelists Association and is represented by Tanera Simons at Darley Anderson Literary Agency. Her debut novel Love Life is published by One More Chapter at Harper Collins.
Connect with Nancy:
Facebook: Nancy Peach Writer