I guess this month’s book is more of a teen/YA read, than a children’s book and it is the first book in a literary quartet that was probably my first introduction into the idea of romance. It is Flambards by K. M. Peyton.
Christina is sent to live with her uncle in his country house, Flambards, and knows from the moment she arrives that she’ll never fit in.
Her uncle is fierce and domineering and her cousin, Mark, is selfish-but despite all this, Christina discovers a passion for horse-riding and finds a true friend in Will. What Christina has yet to realize, though, is the important part she has to play in the future of this strange household . . .
What a fabulous series of books the Flambards quartet was as a bridge for teen girls between the childhood world of innocence and ponies and the adult world of war, duty, class, money and romance. I absolutely loved this book because I found it when I was at the same juncture in my life as Christina is during the story and through her eyes I explored the more adult world she is thrust in to when she arrives at Flambards.
Flambards is a great book for pony-mad girls because of the life at the house revolving around horses, and I think this is why I first picked it up, but there is so much more going on in the story, some of which I don’t think I ever really understood properly until I came back to it as an adult. The issues of class with which Christina is confronted in her relationship with Dick, the stablehand, and the treatment by the Russells of his entire family, is certainly not something I think I really understood when I read it the first few times in my early teens.
The book is set in the early years of the twentieth century, at a time of great change on many fronts. The world is on the brink of war, mechanical inventions such as cars and aeroplanes are starting to encroach on a way of life that has existed for centuries and is resistant to the threat. And attitudes are changing, with people becoming more aware of social injustice. This ripple of change is what informs the story, and impacts Christina’s life as she is torn between her love for Dick and the impossibility of that relationship, her joy in the horses and life at Flambards but her horror of the brutality and callousness of her uncle Russell, and her attraction to Will, who represents a dream of the future. It perfectly mirrors the turmoil that girls feel in that period of immense physical and emotional change.
The writing in the novel is beautiful, and the author really captures the contrast between the decaying and dying life at Flambards, and the shiny, bright future envisaged by Will and his machines. It is a snapshot of a period in time that none of us have experienced firsthand but can live through the pages of this book and it reminds my sharply and fondly of my own teenage years. I was drawn back in to the romances of Christina’s life, and how much the author makes us care for her, and for Flambards itself. Have re-read it, I now want to go on to read the rest of the series again. Book two, The Edge of the Cloud, is even better from what I remember.
Flambards is available to buy here.
About the Author
Kathleen Peyton grew up in the London suburbs and always longed to live in the country and have a horse. Although she enjoyed writing stories she wanted to be a painter, and when she left school she went on to study art. At Manchester Art School she met her husband, Michael, and they now live in Essex and have two daughters. Following the success of Flambards, Kathleen went on to write three more books in the sequence, the second of which, The Edge of the Cloud, was the winner of the prestigious Carnegie Medal. And since she has made some money from publishing her books, Kathleen has always had a horse, or several!